A timpani roll, and dramatic descending chords from pianist Simon Trpčeski, had audience members holding their breath in rapt anticipation. Trpčeski, known for his charismatic stage presence, delivered an electric performance, his fingers dancing across the keys. He was also not afraid to draw out pauses during his solos, adding suspenseful flair to his heroic intensity. Such artistry earned him a standing ovation well over a minute long.
The highlight of the evening was Saint-Saëns Piano Concerto No.5 performed by Simon Trpčeski, one of the most interesting contemporary pianists. He chose the Petrof 275 concert grand piano for his performance in the Rudolfinum, and wonderfully leveraged the unique color properties of the instrument. Trpčeski is known for his ability to quickly establish a warm rapport with the audience, which he demonstrated in the Rudolfinum. The audience showed their appreciation for the soloist and the orchestra with thunderous applause. For one of his encores, he performed the 3rd movement from Prokofiev' Sonata No. 7 — the performance was so electrifying that it lifted the audience from their seats.
The pair began with Mozart’s Violin Sonata in E minor K304 – a genial, if subdued opening. Vengerov’s rivers of legato were even more delectable when combined with the sonorities from his 1727 ‘Kreutzer’ Stradivari. Prokofiev’s First Violin Sonata upped the temperature considerably, with Vengerov in high-concentration mode during the eerie filigree passages. Rough-hewn lunges during the second movement were tempered with sweetness, while Trpčeski felt like an amiable demon at the piano. The mellow, introspective Andante eventually yielded to the reprise of the violin filigree in the finale, returning like a love letter.
Listen to Simon Trpčeski's interview on BBC Radio 3's In Tune together with Maxim Vengerov talking about their upcoming concert on January 10 in London's Barbican Hall. January 7 at 17:00 GMT / 18:00 CET
The wondrously talented Macedonian pianist Simon Trpčeski opens daringly with Brahms’s wistful Intermezzo, Op117, before a dazzlingly reading of the Op24 Variation and Fugue on a theme by Handel. Then the totally different soundworld of Ravel’s Valses nobles et sentimentales bursts forth in all its dizzying glamour, before a selection of Poulenc’s charming Novelettes and Improvisations brings this masterly recital to a classy close. A disc to savour. Highly recommended.